Planet of the Humans
Michael Moore presents Planet of the Humans, a documentary that dares to say what no one else will this Earth Day — that we are losing the battle to stop climate change on planet earth because we are following leaders who have taken us down the wrong road — selling out the green movement to wealthy interests and corporate America. This film is the wake-up call to the reality we are afraid to face: that in the midst of a human-caused extinction event, the environmental movement’s answer is to push for techno-fixes and band-aids. It's too little, too late. Removed from the debate is the only thing that MIGHT save us: getting a grip on our out-of-control human presence and consumption. Why is this not THE issue? Because that would be bad for profits, bad for business. Have we environmentalists fallen for illusions, “green” illusions, that are anything but green, because we’re scared that this is the end—and we’ve pinned all our hopes on biomass, wind turbines, and electric cars? No amount of batteries are going to save us, warns director Jeff Gibbs (lifelong environmentalist and co-producer of “Fahrenheit 9/11” and “Bowling for Columbine"). This urgent, must-see movie, a full-frontal assault on our sacred cows, is guaranteed to generate anger, debate, and, hopefully, a willingness to see our survival in a new way—before it’s too late. Featuring: Al Gore, Bill McKibben, Richard Branson, Robert F Kennedy Jr., Michael Bloomberg, Van Jones, Vinod Khosla, Koch Brothers, Vandana Shiva, General Motors, 350.org, Arnold Schwarzenegger, Sierra Club, the Union of Concerned Scientists, Nature Conservancy, Elon Musk, Tesla. Music by: Radiohead, King Crimson, Emerson, Lake & Palmer, Blank & Jones, If These Trees Could Talk, Valentina Lisitsa, Culprit 1, Patrick O’hearn, The Torquays, Nigel Stanford, and many more.
Lemon Grove Incident
On January 5, 1931, Jerome T. Green, principal of the Lemon Grove Grammar School, acting under instructions from the school trustees, stood at the door and admitted all pupils except the Mexican students. Principal Green announced that the Mexican children did not belong at the school, could not enter, and instructed them to attend a two room building constructed to house Mexican children.
Dejected, embarrassed and angry, the Mexican children left the school and returned home. Instructed by their parents, they refused to attend the so-called new school that had been built for them. In the words of students of the time “It wasn’t a school. It was an old building. Everyone called it ‘La Caballeriza'” (the barnyard).
This was a turn of events that the school board had not counted upon. The board expected the Mexican children and families to act docile, follow orders, and attend the new school. The Mexican parents rallied together and through the Mexican Consulate, acquired legal counsel and support. The school incident became a test case of the power of the District Attorney and the school board to create a separate school for Mexican children . . .
This case, Roberto Alvarez vs. the Board of Trustees of the Lemon Grove School District, was the first successful school desegregation court decision in the history of the United States. It is important in San Diego and U.S. history, not solely because it occurred but because the community took court action and won the case they established the rights of their children to equal education, despite local, regional and national sentiment that favored not only segregation, but the actual deportation of the Mexican population in the United States.
The case is a testimony of the San Diego Mexican community’s rights and their actions towards equality in education not only for their own children, but for the Mexican population in California and the United States. [Continue reading “The Lemon Grove Incident: The Nation’s First Successful Desegregation Court Case,” San Diego History Journal.]
Combining archival footage with testimony from activists and scholars, director Ava DuVernay's examination of the U.S. prison system looks at how the country's history of racial inequality drives the high rate of incarceration in America. This piercing, Oscar-nominated film won Best Documentary at the Emmys, the BAFTAs and the NAACP Image Awards. US Rating: TV-MA For mature audiences. May not be suitable for ages 17 and under.
Filmmaker Michael Moore examines America's health-care crisis and why millions of citizens are without coverage. Moore spotlights the cases of several ordinary citizens whose lives have been shattered by bureaucratic red tape, refusal of payment, and other health-care catastrophes. He explains how the system has become so problematic, and he visits countries where citizens receive free health care, as in Canada, France and the U.K..
The Panama Deception
A riveting Academy Award-winning critique of the government's history of militarization, made all the more timely by the current war on terrorism.
The Panama Deception documents the untold story of the December 1989 U.S. invasion of Panama; the events which led to it; the excessive force used; the enormity of the death and destruction; and the devastating aftermath. The Panama Deception uncovers the real reasons for this internationally condemned attack, presenting a view of the invasion which widely differs from that portrayed by the U.S. media and exposes how the U.S. government and the mainstream media suppressed information about this foreign policy disaster.
The Panama Deception includes never before seen footage of the invasion and its aftermath, as well asinterviews with both invasion proponents like Gen. Maxwell Thurman, Panamanian President Endara andPentagon spokesperson Pete Williams, and opponents like U.S. Representative Charles Rangel (D-NY.), Panamanian human rights workers Olga Mejia and Isabel Corro and former Panamanian diplomat Humberto Brown. Network news clips and media critics contribute to a staggering analysis of media control and selfcensorship relevant to any news coverage today, particularly during times of war.
This new ground-breaking documentary explores the impact that food choices have on people's health, the health of our planet and on the lives of other living species. And also discusses several misconceptions about food and diet.
Capitalism: A Love Story
Exactly one year and a day after the initial Wall Street bailout, Michael Moore (SICKO, FAHRENHEIT 9/11) looks at the global financial crisis and the U.S. economy during the transition between the incoming Obama Administration and the outgoing Bush Administration. In standard Moore fashion, he mockingly draws attention to the Wall Street and Government decisions that have enabled what he calls "the biggest robbery in the history of this country."